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・ Come to Me (Juice Newton album)
・ Come to Me (Marv Johnson song)
・ Come to Me (Ricky Martin song)
・ Come to Milton Keynes
・ Come to My Garden
・ Come to My Kingdom
・ Come to My Window
・ Come to Nothing
・ Come to Papa
・ Come to Papa (podcast)
・ Come to Papa (TV series)
・ Come to Salem
・ Come to the Funfair
・ Come to the River
・ Come to the Stable
Come to the Sunshine
・ Come to the Waldorf Astoria
・ Come to the Well
・ Come to Where I'm From
・ Come Together
・ Come Together (disambiguation)
・ Come Together (Third Day album)
・ Come Together Music Festival
・ Come Together Now
・ Come Tu Mi Vuoi
・ Come tu mi vuoi
・ Come un uomo sulla terra
・ Come Undone
・ Come Undone (Duran Duran song)
・ Come Undone (film)


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Come to the Sunshine : ウィキペディア英語版
Come to the Sunshine

"Come to the Sunshine" is a song written and recorded by Van Dyke Parks and covered by several other artists. It was one of two 45rpm singles Parks would issue through the MGM label in 1966 before moving to Warner Bros. the following year.
==Composition==
It was composed in the summer of 1965 while Parks was living in the rear apartment at 7222 1/2 Melrose Avenue in Hollywood. The arrangement is characteristically jumbled, featuring multiple overlapping vocals by Parks, as well as a jazzy piano and a busy mandolin. He's said it to have been inspired by Snuff Garrett’s "50 Guitars Go South of the Border" and his father’s Depression-era dance band The White Swan Serenaders. It was written especially for his father, in honor of "what he was doing at the time." Parks added, "I thought that he would think it was very wonderful, and I don't think he thought it was very wonderful."〔 〕
The lyrics at the time were oblique, atypical for pop music in 1966, and was one of the many songs heralding the imminent 1960s psychedelic era. It would signify many things to come for Parks, including his lyrical collaborations with The Beach Boys aborted ''Smile'' album and his 1968 solo debut ''Song Cycle''. It was recorded in one day and in just three takes, along with his other singles released on his short tenure with the MGM label. The B-side was "Father Along", which was in a similar sunshine pop style as "Come to the Sunshine".
Parks has reflected of the song years later, exclaiming "it was a good work! A fine example of plectrum arranging." Record producer and friend Michael Vosse recounted in 1969, "It was completed at least three months before all the other 'Sunshine' records came out—like the Beatles thing ("Good Day Sunshine") and "Sunshine Superman". I mean, it was recorded in March or something and MGM didn't wat to put it out until September. Just neglected it. And they did that twice in a row to him."

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
ウィキペディアで「Come to the Sunshine」の詳細全文を読む



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